FASCINATION ABOUT CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are often yearning romantics, with this particular big difference: Buster would seem a plausible mate, as well as Tramp hardly appears to have a libido, only idealized notions. If their comedies were designed in a more liberated time, it is achievable to imagine Keaton in bed with a lady, but disquieting to think of the Tramp being a sexual re